My professional life as global consultant in participatory development in Africa, Asia and Latin America is very intense. I see stunningly beautiful scenery – both ‘wild natural’ remote environments and managed rural and urban landscapes. I also see shocking examples of environmental degradation, waste and poverty.

People and Place: Part the my motivation in my documentary and landscape photography both abroad and at home is therefore social and political. Photography as a referential image, or series of images, can raise questions about the complexities, contradictions and challenges in the ‘real world’ in a way that other types of art do not. I am interested in how to make visual messages understandable without oversimplifying from any one particular standpoint. In structuring and juxtaposing information to inspire people to want to think things through for themselves. In order to attract and sustain attention I am also concerned about aesthetics and design, and underlying feelings and meanings – flashes of light darting across layers of reflection, fascination with transition states and half-glimpsed images as the brain attempts to make sense of random patterns and sensations. I am particularly interested in the power of suggestion and the process of abstraction and the degree to which images can be simplified in different ways for different effects and still remain readable to the viewer. 

GAMEchangeNetwork: Photography is also very much part of my professional work for the  informal network of development agencies I work with, documenting the processes of change at community and organisational levels.

Family:I also have many photos of my family that I keep here as an archive.

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